Video courtesy of Bryan G.
The Smell of the Greasepaint and the Sound of John Peel
Tuesday, 1 July 2025
Guys and Dolls: Spiral Tribe - Going All the Way (16 April 1993)
Monday, 23 June 2025
Guys and Dolls: The Sonics - Dirty Robber (16 April 1993)
There was a strong sense of 21st Century influence over including this, not least because it’s nice to hear The Sonics performing something which doesn’t cause the listener to worry about whether their car insurance policy is in date.
Videos courtesy of garagefan66 (Sonics) and Mr RJDB1969 (Wailers)
*TLDR - The Sonics were producing explosive versions of Rock ‘n’Roll standards at a point (1965-67) where the market and the more go-ahead groups were seeking to expand their sounds beyond the standard rock band sound. In 65-67, The Sonics were an anachronism of sorts. By the time, music started looking back to its roots circa 1969 and groups like The Stooges were getting wider attention with The Sonics garage rock playbook, The Sonics had disbanded.
Saturday, 21 June 2025
Guys and Dolls: Eric’s Trip - Haze (16 April 1993)
For the second Friday show running, we get an Eric’s Trip song which is open to two interpretations. Unlike last week’s where I thought it was about one thing when it was actually about another, I’m open to persuasion on both potential meanings for Haze.
1) Your music is better than mine: This is the meaning which I’m less enthusiastic about, mainly because I don’t really like songs which are about trying to write songs. The giveaway on that is lines such as I live within some stupid rhyme and So trapped within this useless rhyme, which both have the feel of placeholder lyrics which were subsequently never replaced. However, lines such as I saw the fire in your try (or tribe?) together with the I can’t be what I need refrain suggest some element of inspiration being taken from another source while our narrators struggle to get their own music off the ground due to a tendency to fall into writing lousy rhymes for lyrics.
2) An encounter with aliens: This is the meaning I’m more persuaded by, principally due to the atmosphere which permeates the recording and the transcendent harmony between Rick White and Julie Doiron, which manages to conjure up a romantic moment between a lost (in all senses of the word) human and a passing traveller from far, far away. The beauty of that scenario is that it’s impossible to definitively say which role was played by Rick and which was played by Julie. The vibe is closer to Starman* than Out of this World.
Alternatively, Haze could be like Listen, a love song, but in this case it’s one about being unable to see the love that’s in front of you due to the distractions and prevarications brought about by the haze of everyday life. It’s quite some achievement to be able to project so many different interpretations from such lo-fi material. While I don’t think I’m fully ready to passionately embrace Eric’s Trip, I can see myself starting to regard them as a more substantial band than I previously had. It just takes a little time and exposure, as Bone Rolling Reviews can testify.
*The 1984 John Carpenter film, not the David Bowie song.
Video courtesy of RockAllTheTime247.
All lyrics are copyright of their authors.
Monday, 16 June 2025
Guys and Dolls - John Peel Show - Saturday 10 April 1993 (BBC Radio 1)
With this show, Peel completed potentially his longest run of weekly airtime since the days of The Perfumed Garden. Between his time sitting in for Jakki Brambles and the two editions of his own show on Friday 9 April and tonight, he had accounted for just under 18 hours’ worth of Radio 1’s output for the week. His weekly two-hour BFBS programme had also gone out today, though this may have been a pre-record given that Peel had forsaken a Saturday morning lie-in so as to catch a train to Sheffield and take part in one of the panels at the Sound City ‘93 event.
On getting back to London that afternoon, Peel had been delighted to find waiting for him in the post a copy of In My World by High On Love. He was so pleased, he put it into that evening’s show. Less pleasing to him was the weekly letter that he had received from an anonymous correspondent whose letters contained instructions about things they wanted Peel to do for them regarding the football pools. However, Peel was never able to oblige because he didn’t understand the terminology. He asked if anyone knew the person that was sending him these letters, and if they did, to ask them to stop.
The selections from this programme were taken from a 90 minute file. My notes excitedly described the shortlist I’d made as With a handful of exceptions, all killer and no filler. That didn’t stand up to subsequent scrutiny given that 3 selections fell from favour:
Th’ Faith Healers - Sparklingly Chime [Peel Session] - I was quite excited to see these back on the Peel show, but despite a decent chorus, this was ultimately a bit too meh. The link has the whole session, including Peel’s intros, but the most interesting thing from an historical point of view is the brief news snippet before Sparklingly Chime which included the story about an off-guard John Major referring to three of his Eurosceptic Cabinet members as “bastards”. More innocent times of course, especially given that I’ve a feeling that some of Major’s successors would probably have used far stronger terms, 20-odd years later.*
Blast Off Country Style - Social Firefly - This is one of those tracks which charms you on first acquaintance and then repels you when you go back to meet again. What sounds light and charming on the first listen morphs into something feeble and annoying on subsequent hearings.
L’Empire Babuka and Pepe Kalle - Mabele Riche - my shortlist notes called this soukous track, magnificently smooth and I was looking forward to hearing it again, but having just derided Blast Off Country Style for being too feeble, my problem here was that the track sounded too slick. I really do seem to want the moon on a stick sometimes, don’t I?
There was one track I couldn’t get hold of:
Thursday, 12 June 2025
Guys and Dolls: IPG (International Peoples Gang) - Disneyland [KKKings mix] (10 April 1993)
Sunday, 8 June 2025
Guys and Dolls: Cornershop - England’s Dreaming (10 April 1993)
At the risk of repeating myself, I find myself once again forced to confront my teenaged complacency on issues which I remember thinking were on the wane at the time. A few weeks’ ago, Marxman reminded me that Neo-Nazis weren’t sitting it out in post Cold War Europe; now we have Cornershop popping up to show that, as far as they were concerned, racism wasn’t something which used to happen back in the 70s & 80s.
The genius of England’s Dreaming, which was the lead track on their Lock, Stock & Double~Barrel EP is how subtly it targets those it is most disappointed in. While it loudly and defiantly calls out racists, sexists, homophobics and urges others to join them in the fight against discrimination, the force of the song isn’t so much set at those who would taunt and attack people based on their skin colour, but rather it scolds those whose first reaction to seeing a non-white face is to retreat into suspicion, distrust and fear. It almost sounds as those Cornershop can deal with the prejudice of being hated, but can’t accept the prejudice of being feared. The late music journalist, Neil Kulkarni, summed up what it was like to be on the end of both expressions of this prejudice, and its corrosive effect on those who suffer under it:
The shout from a passing van window, the night at the bus stop or chippy where abuse and fists fly, the vaginal search your gran tells you of, the eyes on the street, the tight clutch of the handbag as you pass - all those moments are replayed and erase the months of tolerance that intersperse them, becoming a dirt mark on your memory that can never be removed.