Placing at Number 22 on The Phantom Fifty and completely unconnected to The Beautiful South’s hit single of the same name, this is something of a damp squib for its first two minutes. That’s not because of the content, despite the fact that it breaks no new ground. It’s a Wedding Present song, so obviously David Gedge is lamenting the latest piece of miscommunication which has left him grovelling apologetically to a woman. She feels sad, and he feels bad for making her that way. I wanted you but not the way you think. We’ve heard it all before and perhaps because of this, the producer of the track, Steve Albini has decided that we don’t need to clearly hear what Gedge is singing. It isn’t quite John Lennon yelling the final chorus of Yer Blues into a dead microphone, but you have to strain to hear what Gedge is singing and it doesn’t help the song given that Gedge’s singing voice has always walked the line between distinctive and unprepossessing. My notes from this show had a question mark next to Rotterdam, and when I listened to it again for the first time in a year, last week, I was all ready to keep it off the metaphorical mix tape, based on those first two minutes.
And then, at precisely 2:00, the reason for sticking with Rotterdam makes its entrance. Peter Solowka’s multi-note guitar riff encapsulates a choked sob of such distress that it can’t fail to move the listener. Over the last minute, the whole band move in on this as the riffs and drum fills get more urgent, taking the sound from sobs and tears to the metaphorical smashing up of the room. It could be Gedge taking out his regret on anything that isn’t nailed down, or his friend breaking everything in sight while he sits cowering in the corner. Either way, it’s the closest thing to violence that I’ve ever heard on a Wedding Present song and pulls the dollars out of the fire in fine style.
Rotterdam was recorded for The Wedding Present’s 1991 album, Seamonsters, which marked Solowka’s last work with the band, before he devoted himself full time to The Ukrainians.
John Lennon demonstrates how dead mic singing should be done from 3:17.
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